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Forms Styles: Authentic Handmade Indian Art

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Forms & Styles 73 2D (Painting, Drawing, Print) 15 3D (Sculpture, Installation, Kinetic) 58
Forest Symphony by Kaushal Prasad Tekam
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Forest Symphony by Kaushal Prasad Tekam

Forest Symphony is an original Gond painting by acclaimed artist Kaushal Prasad Tekam, portraying the vibrant rhythms of life within an Indian forest. Birds perch among flourishing trees, monkeys move through the canopy, and wild animals inhabit the forest floor, creating a visual narrative of coexistence and ecological balance. Executed in the distinctive Gond tradition, the artwork employs intricate line work, detailed patterns, and vibrant colours to animate every living form. The composition reflects the Gond community's deep connection with nature, where forests are viewed not merely as landscapes but as living entities filled with stories, spirits, and interconnected life. Rich in detail and symbolism, this work celebrates biodiversity, harmony, and the enduring relationship between humans and the natural world. * Artist: Kaushal Prasad Tekam * Size: 48 X 37 inches * Art Form: Gond Art * Medium: Acrylic on Canvas * Style: Contemporary Gond Tribal Art Origin: Madhya Pradesh, India

$ 3,019$ 3,769
Painting: Vayuputra
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Sacred Indian Artworks: Gods & Goddesses

Painting: Vayuputra

Against a field of deep, luminous blue, a figure crouches in the compressed stillness of someone about to move. The body is rendered entirely in red, bold and unmodulated, the colour of devotion and sacred energy concentrated into a single form. In one hand, a flag curves upward into the wind. In the other, a string of rudraksha beads, the tears of Shiva, held with the ease of something worn close to the body for a very long time. The posture is not static. It carries the particular quality of a held breath, a moment of complete readiness in which power and composure exist in the same gesture. The flag is the painting's second subject. Unfurled and lifting, it is both emblem and invocation, a reminder that Vayuputra, son of the wind, is never entirely still. The blue ground gives the composition its air, its expanse, the sense of open sky surrounding a form that is equally at home in any element. Bharat Tripathi works in a contemporary idiom that distils devotional iconography into its essential emotional charge: no elaborate ornament, no narrative crowd, only the figure and what it carries. This painting belongs to his Anjaneya Series, work that was exhibited at Jehangir Art Gallery in Mumbai in September 2025, and which approaches the deity not through the conventions of religious art but through the directness of felt presence. Painted in acrylic on canvas, it offers Hanuman not as an object of worship but as a living embodiment of strength held in perfect, unhurried readiness. **Why This Artwork Stands Out** **** - The reduction of the figure to a single unbroken red silhouette against blue gives the composition an iconic clarity that is immediately recognisable and visually arresting at any scale. - The rudraksha beads introduce a devotional intimacy into an otherwise bold, almost graphic composition, anchoring the monumental in the personal. - The unfurled flag introduces movement into a crouching posture, creating a visual tension between stillness and force that is the painting's central emotional drama. - As part of the Anjaneya Series exhibited at Jehangir Art Gallery, this work carries exhibition provenance that places it within a serious and considered body of contemporary devotional art.

$ 3,999
Painting: Panchmukhi II
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Sacred Indian Artworks: Gods & Goddesses

Painting: Panchmukhi II

Five faces look outward in five directions, and the world is held between them. The Panchamukha form of Hanuman is among the most cosmologically complete images in the devotional tradition, each face presiding over a different direction, each a different aspect of divine power gathered into a single body. Bharat Tripathi renders this form not through the layered iconography of temple sculpture but through the compressed, direct language of contemporary painting, where the multiplicity of faces becomes a formal problem solved with compositional clarity rather than decorative accumulation. The result is a figure that is recognisably ancient in its subject and entirely present in its execution.The five heads are not arranged to overwhelm. They are held within the composition with the same quality of contained force that characterises all of Tripathi's figures in the Anjaneya Series: power that does not need to announce itself, presence that fills the frame without crowding it. The contemporary style invites the viewer to encounter a form they may already know through an unfamiliar visual register, stripped of the emblematic detail that can sometimes place devotional imagery at a distance and returned instead to its essential charge. This is Hanuman not as a sacred diagram but as a living presence, multiplied not to intimidate but to encompass. This work was exhibited as part of the Anjaneya Series at Jehangir Art Gallery in Mumbai in September 2025, a body of paintings that engages the devotional tradition with the full resources of contemporary figurative art. Painted in acrylic on canvas, it asks the viewer to look at something familiar and see it newly. **Why This Artwork Stands Out** **** - The five-headed form, traditionally rendered in sculptural or diagrammatic terms, is here translated into contemporary figurative painting, creating a visual encounter rather than an iconographic reference. - The compositional handling of five faces within a single painted field demonstrates a formal intelligence that makes the theological content and the artistic structure inseparable from one another. - The restraint of the contemporary style removes the distance that elaborate devotional iconography can create, making the figure's presence immediate and unmediated. - As part of the Anjaneya Series shown at Jehangir Art Gallery, this work belongs to a sustained and critically engaged body of paintings that repositions Hanuman within the vocabulary of modern Indian art.

$ 3,999
Painting: Sanjeevani
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Sacred Indian Artworks: Gods & Goddesses

Painting: Sanjeevani

He moves through the night sky with the momentum of something that cannot be stopped. The figure is airborne and entirely in motion, red body blazing against a deep teal sky, a yellow trail of energy streaming behind him like the wake of a comet. In one hand, a mountain. In the other, a mace. Below, the Himalayas rise in great dark forms, their peaks catching the cold light of a full moon that holds its position at the centre of the composition with the steadiness of something that has witnessed everything and remains unmoved. The clouds that gather around the flying figure are not obstacles but atmosphere, the painting's way of saying that this journey takes place at the border of the possible. The scene is one of the most charged moments in the Ramayana: Hanuman, unable to identify the Sanjeevani herb among the countless plants of Dronagiri, lifts the entire mountain and carries it through the sky to save the fallen Lakshman. Bharat Tripathi renders this act not as mythology held at a reverent distance but as something immediate and kinetic, a body in full flight, a decision made and acted upon without hesitation. The palette is bold and unambiguous: the red of the deity, the yellow of divine energy, the deep green and blue of mountain and sky, the white of the moon. No detail is decorative. Every colour is load-bearing. This work belongs to Tripathi's Anjaneya Series, exhibited at Jehangir Art Gallery in Mumbai in September 2025, a body of paintings that approaches Hanuman not through iconographic convention but through the directness of painted feeling. In acrylic on canvas, it captures a moment of devotion expressed entirely through action. **Why This Artwork Stands Out** **** - The central moon anchors a composition of tremendous movement, creating a still point around which everything else, figure, mountain, cloud, peak, organises itself with instinctive clarity. - The yellow energy trail behind the figure introduces a sense of speed and divine force that transforms a narrative moment into a visual experience of momentum. - The Himalayan ground below gives the aerial scene genuine spatial scale, making the flight feel both mythologically vast and compositionally grounded. - As part of the Anjaneya Series shown at Jehangir Art Gallery, this work carries exhibition provenance that situates it within a serious and sustained engagement with devotional subject matter in contemporary painting.

$ 3,999
Painting: Lanka Dahan
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Sacred Indian Artworks: Gods & Goddesses

Painting: Lanka Dahan

The city is burning and he stands above it, unhurried. The figure of Hanuman dominates the upper field of the composition, his form immense against a sky that has turned the same colour as the flames below. Red, orange and yellow move through the painting in great surging waves, the palette of fire and of the divine wrath that feeds it. Below, Lanka is consumed. The destruction is total and the destroyer is calm, a combination that is the painting's central and most unsettling truth: that this is not rage but justice, not chaos but the precise consequence of an act of violation against the sacred. Bharat Tripathi works in a figurative language that distils mythological episodes into their essential emotional charge. Lanka Dahan is one of the Ramayana's most theatrically charged moments, the moment when Hanuman, captured and sentenced to have his tail set alight, uses that very punishment to reduce an entire kingdom to ash. Tripathi does not illustrate the episode so much as embody its atmosphere, the overwhelming warmth of the palette creates a canvas that feels genuinely heated, as though the fire has not yet finished. The figure stands in it without being consumed by it, a detail the tradition has always understood as the deepest demonstration of Hanuman's invincibility. This work belongs to Tripathi's Anjaneya Series, exhibited at Jehangir Art Gallery in Mumbai in September 2025, a sustained body of contemporary paintings that approaches Hanuman not as religious subject matter but as living, felt presence. Painted in acrylic on canvas, it is a work that does not ask to be contemplated quietly. **Why This Artwork Stands Out** **** - The monumental scale of the figure against the burning city establishes a visual hierarchy that is both iconographically correct and compositionally powerful, making the deity's dominance felt rather than simply depicted. - The near-total immersion of the palette in warm reds, oranges and yellows makes the painting function as a chromatic experience of fire before it is read as a narrative one. - The calm of the figure within the destruction introduces the painting's deepest emotional register: power that does not require agitation, justice that does not require anger. - As part of the Anjaneya Series shown at Jehangir Art Gallery, this work carries exhibition provenance that places it within a considered and cohesive body of contemporary devotional painting.

$ 3,999
Painting: Kesari Nandan
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Sacred Indian Artworks: Gods & Goddesses

Painting: Kesari Nandan

He kneels, but there is nothing submissive in the posture. The body is coiled with a readiness that makes stillness feel temporary, the pause of someone who could rise in an instant and fill the entire sky. Vermilion red from crown to foot, the figure of Hanuman holds a golden mace with the ease of a being for whom strength is not effort but nature. The mace glows against the lighter blue of the setting, a single warm accent in a composition that otherwise moves between the cool and the sacred. On either side, dark green foliage presses in from the edges, dense and lush, framing the figure the way a forest frames a clearing, with the particular quality of something ancient holding space for something divine. The name Kesari Nandan, son of Kesari, grounds the deity in lineage and in the particular tenderness of the devoted child. Bharat Tripathi holds both registers at once: the muscular form and the kneeling posture, the golden weapon and the contained energy, the guardian and the devotee. Neither quality overwhelms the other. The foliage that flanks the figure is not merely decorative; it situates Hanuman in the natural world from which he is never entirely separate, the forest god as much as the divine warrior. This work belongs to Tripathi's Anjaneya Series, exhibited at Jehangir Art Gallery in Mumbai in September 2025, a sustained body of paintings that approaches Hanuman through the directness of contemporary figurative painting rather than the conventions of devotional imagery. Painted in acrylic on canvas, it is an image of power held quietly, which is the most demanding kind. **Why This Artwork Stands Out** - The kneeling posture introduces a devotional intimacy into an otherwise monumental figure, making the painting's emotional register simultaneously powerful and tender. - The dark green foliage flanking the vermilion form creates a chromatic contrast that gives the figure its visual weight and situates the deity within the natural world. - The golden mace, the sole warm accent against the blue ground, draws the eye with the precision of a detail that carries both iconographic and compositional significance. - As part of the Anjaneya Series shown at Jehangir Art Gallery, this work is part of a cohesive and critically engaged body of contemporary devotional painting.

$ 3,999
Painting: Bal Hanuman
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Sacred Indian Artworks: Gods & Goddesses

Painting: Bal Hanuman

He is airborne and entirely convinced. The child Hanuman streaks across a sky of blue and gold, his red body tilted forward with the absolute confidence of someone who has identified a target and has no reason to doubt he will reach it. The target is the sun. He has mistaken it for a ripe fruit, and the mistake is so pure, so free of hesitation, that it reads less as error and more as the first demonstration of a nature that will spend a lifetime reaching for what others consider unreachable. A yellow scarf streams behind him, catching the motion of flight and giving the composition its sense of speed, the line of colour that tells you the figure has just passed through this part of the sky and is already somewhere further ahead. The palette is warm and unambiguous: the red of the child's body, the yellow of the scarf and the sun-touched horizon, the blue of open sky. Bharat Tripathi renders the scene in the direct, energised language of contemporary figurative painting, where the mythological episode is stripped of ceremonial distance and returned to the quality it has always contained at its core: the irresistible momentum of a child utterly at home in his own extraordinary nature. There is joy in this painting, the specific joy of a being who does not yet know the word impossible. This work belongs to Tripathi's Anjaneya Series, exhibited at Jehangir Art Gallery in Mumbai in September 2025, a body of paintings that approaches Hanuman across all stages of his life and legend with the same quality of felt, immediate presence. Painted in acrylic on canvas, it is the youngest and perhaps the most luminous work in the series. **Why This Artwork Stands Out** - The airborne posture of the child figure captures the precise quality of innocent, unstoppable momentum that makes this episode among the most beloved in the Hanuman legend. - The flowing yellow scarf introduces a trail of movement that animates the composition and gives the sense of flight a visual velocity beyond what the figure alone could carry. - The warm red, yellow and blue palette achieves a celebratory brightness that sets this work apart from the more weighted devotional register of other paintings in the series. - As part of the Anjaneya Series shown at Jehangir Art Gallery, this painting completes the arc from the divine child to the cosmic warrior, giving the series its note of pure, unguarded beginning.

$ 3,999
Painting: Origin of Shiva
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Sacred Indian Artworks: Gods & Goddesses

Painting: Origin of Shiva

This an acrylic on canvas painting by artist Bharat Tripathi that is symbolic depiction of the origin of Shiva. In this powerful composition, the deity's ascetic and cosmic nature has been emphasized through his long matted hair and the golden trident, a symbol of divine authority and spiritual power against the background of intense flames. The scene created is one based on contemporary devotional aesthetic that blends traditional symbolism with modern compositional style. This painting is a part of the Shiva Series by the artist and was displayed in an exhibition titled "The Story of Shiva" held at the Coomaraswamy Hall, CSMVS Museum, Mumbai in December 2012.

$ 3,199
Painting: Shiva and Sati
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Sacred Indian Artworks: Gods & Goddesses

Painting: Shiva and Sati

This an acrylic on canvas painting by artist Bharat Tripathi that is a portrayal of Shiva together with Sati in a figurative style. In this aesthetic depiction, the divine couple of Shiva and Sati have been rendered in a contemporary style with strong symbolic elements. The red background intensifies the emotional and spiritual atmosphere. The picture creates a sense of divine companionship and spiritual balance. This painting is a part of the Shiva Series by the artist and was displayed in an exhibition titled "The Story of Shiva" held at the Coomaraswamy Hall, CSMVS Museum, Mumbai in December 2012.

$ 3,199
Painting: Kishkindha Kand - Bali Vadh
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Sacred Indian Artworks: Gods & Goddesses

Painting: Kishkindha Kand - Bali Vadh

This an acrylic on canvas painting by artist Bharat Tripathi that depicts the episode from the Ramayana where Lord Rama kills the ignoble monkey king Bali and reinstates his brother Sugriva on the throne of Kishkindha. In the foreground, one can see the two monkey brothers jostling in combat with the sihouette of Lord Rama in the background. This is an episode from the Kishkindha Kand or the fourth chapter of the Ramayana. This painting is a part of the Ramayana Series by the artist and was displayed in an exhibition at the Lalit Kala Akademi in New Delhi in November 2015.

$ 6,399
Painting: Aranya Kand - Marich
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Painting: Aranya Kand - Marich

This is an acrylic on canvas painting by artist Bharat Tripathi that depicts the episode from the Ramayana where Rama is led to chase Marich, a demon transformed into a golden deer at the behest of Sita. Set against the background of green signifying the forest, the holy couple look onward to the prancing deer with the arrow signifying the subsequent chase. This is an episode from the Aranya Kand or the third chapter of the Ramayana. This painting is a part of the Ramayana Series by the artist and was displayed in an exhibition at the Lalit Kala Akademi in New Delhi in November 2015.

$ 6,399
Painting: Aranya Kand - Jatayu
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Sacred Indian Artworks: Gods & Goddesses

Painting: Aranya Kand - Jatayu

This an acrylic on canvas painting by artist Bharat Tripathi that depicts the episode of the killing of Jatayu by Ravana. In this skillful rendering, one can see the contorted form of Jatayu in the foreground with the faint silhouette of Ravana in the background whose hand is raised to strike down Jatayu. This is an episode from the Aranya Kand or the third chapter of the Ramayana. This painting is a part of the Ramayana Series by the artist and was displayed in an exhibition at the Lalit Kala Akademi in New Delhi in November 2015.

$ 6,399
Painting: Lanka Kand - Ravan Vadh
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Sacred Indian Artworks: Gods & Goddesses

Painting: Lanka Kand - Ravan Vadh

This an acrylic on canvas painting by artist Bharat Tripathi that is a symbolic and figurative representation of the march of Lord Ram towards Lanka that led to the eventual death of Ravan. One can see the Ram Setu leading upto Lanka and Ravan with a depiction of the Shivling in the foreground that symbolises divine order and orchestration that finally leads to the triumph of good over evil. This is an episode from the Lanka Kand or the sixth chapter of the Ramayana. This painting is a part of the Ramayana Series by the artist and was displayed in an exhibition at the Lalit Kala Akademi in New Delhi in November 2015.

$ 6,399
Painting: Lanka Kand - Agni Pariksha
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Sacred Indian Artworks: Gods & Goddesses

Painting: Lanka Kand - Agni Pariksha

This an acrylic on canvas painting by artist Bharat Tripathi that depicts the episode from the Ramayana where Sita was put through 'agnipariksha' or trial by fire. One can see Sita with her hands folded at the centre of the picture flanked by flames on both sides. The vermillion on her forehead stands out against the bright red background as a testament to her purity. This is an episode from the Lanka Kand or the sixth chapter of the Ramayana. This painting is a part of the Ramayana Series by the artist and was displayed in an exhibition at the Lalit Kala Akademi in New Delhi in November 2015.

$ 7,599
DILKASHI "Nayika's Playful Dalliance"
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Handmade Paper

DILKASHI "Nayika's Playful Dalliance"

Nayika's Playful Dalliance captures a tender moment of mischief between two graceful companions, their forms intertwined on ornate bolsters within a palace pavilion of quiet splendor. One in flowing blue, the other in regal red, they exchange subtle caresses amid peacocks and gilded vessels, evoking unspoken delight. Natural pigments on layered handmade paper (Wasli) With real gold and silver also.

$ 1,989
Pure Sandalwood Seven Wonders Decorative Sculpture
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Sculptures & Figurines

Pure Sandalwood Seven Wonders Decorative Sculpture

This Pure Sandalwood Seven Wonders Sculpture brings together world architecture through intricate miniature carving. Each monument is crafted with lace-like detailing and placed atop a tiered pedestal, creating a collectible that feels both artistic and historic. The domed structure at the base opens like a carved lantern, while the wonders rise upward in a dynamic arrangement that mirrors a skyline. The sculpture celebrates craftsmanship by turning global landmarks into fine ornamental art. The natural fragrance of sandalwood enhances its presence, making it suitable for display in personal collections, living rooms, galleries and gifting occasions. This piece is built for long-term preservation, where woodwork meets cultural storytelling.

$ 3,609
Pure Sandalwood Lace-Carved Heritage Pankha with Peacock Handle
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Pure Sandalwood Lace-Carved Heritage Pankha with Peacock Handle

This Pure Sandalwood Lace-Carved Heritage Pankha brings old-world craftsmanship to life through detailed open-work carving. The intricate lace pattern fans outward like delicate filigree, while a finely sculpted peacock sits proudly at the top, turning a functional object into a collectible display piece. Each curve, motif and border is hand-carved to mimic textile ornamentation, but shaped entirely from solid sandalwood. The sculpture stands upright on a wooden pedestal, making it ideal for table décor, mandir setups, gifting or curatorial displays. The natural fragrance of sandalwood enriches its presence, giving the artwork both cultural value and sensory appeal.

$ 769
Pure Sandalwood Vishnu Darbar Ensemble with Detailed Temple Carving
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Pure Sandalwood Vishnu Darbar Ensemble with Detailed Temple Carving

The Pure Sandalwood Vishnu Darbar Ensemble is a finely carved devotional artwork that brings together Lord Vishnu and celestial attendants in one intricate composition. Crafted entirely by hand, the sculpture reveals temple-style pillars, ornamental lotuses and layered relief carving that gives each figure depth and movement. The circular base mirrors a ceremonial platform, adding presence and balance to the ensemble. Every miniature motif, crown, ornament and seated form is shaped in natural sandalwood, allowing the fragrance, grain and warmth of the wood to enhance the sense of sanctity. Designed as a collectible that blends devotion with premium craftsmanship, the piece works as both artistic décor and a spiritual centrepiece.

$ 3,609
Pure Sandalwood Divine Veena Sculpture with Ornate Carving
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Pure Sandalwood Divine Veena Sculpture with Ornate Carving

This Pure Sandalwood Divine Veena Sculpture is a finely carved ornamental representation of the classical Indian string instrument. Crafted in natural sandalwood, it features divine motifs, intricate scrollwork and a delicately carved sound chamber that resembles temple architecture. The structure holds miniature details from tuning knobs to patterned engravings, turning the instrument into a sculptural symbol rather than a functional piece. The fragrance of natural sandalwood enhances its presence, while the fine detailing makes it a standout collectible for art lovers and décor enthusiasts. Available in premium pure sandalwood and a mixed-wood variation, the sculpture celebrates musical heritage, devotion and Indian craftsmanship in one statement artwork. Ideal for spiritual corners, cultural interiors, music studios, luxury living spaces or gifting.

$ 3,609
Pure Sandalwood Royal Lady Sculpture with Intricate Shrine Carving
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Pure Sandalwood Royal Lady Sculpture with Intricate Shrine Carving

This Pure Sandalwood Royal Lady Sculpture is hand-carved with exquisite detailing that reflects regal Indian aesthetics. The figure stands in a graceful posture, adorned with fine jewellery, layered textiles and traditional motifs carved directly into the wood. At the centre of the sculpture lies a miniature shrine nestled inside the torso, symbolising devotion carried within everyday life. The sculpture is crafted from premium natural sandalwood, known for its warm tone, smooth grain and lasting fragrance. Whether created in 21 inch, 24 inch or 3 feet variations, each version takes months of careful work and showcases layered carving, elegant drapery and delicate miniature work. Designed for luxury décor, spiritual corners, and art collectors, the piece radiates a sense of heritage, serenity and architectural richness in a single form.

$ 5,469
Lord Rama Standing Idol with Bow and Arrow on Lotus Base
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Lord Rama Standing Idol with Bow and Arrow on Lotus Base

This wooden Lord Rama idol captures a calm yet powerful presence, showing the deity standing in full front view with his bow and arrow resting at his side. The lotus base anchors the sculpture with a sense of purity and balance, while the fine detailing across the attire, ornaments and halo brings out the depth of traditional carving. The posture feels grounded and steady, making it perfect for home temples, meditation setups and spiritual corners where you want a peaceful and disciplined energy. Each idol is carved to order within the standard 10 to 12 inch range and priced per inch. This gives you the freedom to pick the exact size you want while keeping all the detailing sharp and consistent. The finish is smooth, the lines are clean and the overall form carries a devotional warmth that makes it a meaningful addition to any spiritual or artistic collection.

$ 439
Ram Ji Standing Idol with Bow and Arrow on Lotus Base
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Ram Ji Standing Idol with Bow and Arrow on Lotus Base

This wooden Ram Ji idol shows the deity standing in a calm yet powerful posture, holding his bow and arrow with steady grace. The lotus base adds a traditional touch that highlights purity and dharma, while the carved details bring out the quiet strength and devotion associated with Lord Ram. It fits beautifully into home mandirs and spiritual corners where you want a sense of discipline, protection and serenity. Every piece is made to order and priced per inch, giving you the freedom to pick the size that suits your space. The workmanship shows in the clean facial features, the balanced stance and the layered carving across the attire and ornaments. Whether used for daily worship or displayed as a statement of devotion, the idol brings a focused and peaceful energy into your home.

$ 439
Handcrafted Sandalwood Buddha Idol in Meditation Pose on Double Lotus Base
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Handcrafted Sandalwood Buddha Idol in Meditation Pose on Double Lotus Base

This handcrafted sandalwood Buddha idol presents a serene meditation pose set on a beautifully carved double lotus base. The sculpture highlights the balance, stillness and fine detailing associated with premium traditional wood carving. The craftsmanship brings out soft facial expressions, layered robes and delicate hand gestures that create a calming presence in any room. The warm tone of natural sandalwood adds a gentle fragrance and an authentic artisan touch. The artwork is designed for collectors, spiritual spaces and décor lovers who appreciate meaningful pieces rooted in heritage. Each idol is made to order, and the final cost is calculated per inch within the standard 10 to 12 inch size range. This allows buyers to choose their preferred height while receiving a detailed sculpture shaped entirely by hand using traditional carving techniques.

$ 439
Radha Krishna Under Tree Sculpture with Peacock and Cow Carving in Sandalwood
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Radha Krishna Under Tree Sculpture with Peacock and Cow Carving in Sandalwood

This handcrafted Radha Krishna sculpture brings together traditional storytelling and fine sandalwood artistry. The piece shows Radha and Krishna standing gracefully beneath a carved tree surrounded by a peacock and a cow. The flowing contours, expressive detailing and natural grain of the sandalwood create a warm visual presence that fits beautifully into spiritual corners, premium décor settings or curated collections.The sculpture reflects themes of harmony and devotion while highlighting rich carving traditions. Precision can be seen in the layered foliage, the gentle posture of the figures and the scene-building elements carved into the base. The piece is made to order in the standard 10 to 12 inch range, and the final price is calculated per inch, based on the size selected.

$ 439