<link rel="stylesheet" href="https://cdn.rooftopapp.com/fonts/fonts.css">
Rooftop Logo Light

Menu

Your Cart

Your cart is empty

Rooftop Collections

Explore authentic handcrafted products and artworks curated by Rooftop Collections on Rooftop.

Showing 841 – 860 of 1135

All Products
Paintings 1241 Indigenous Art 829 Modern Art 4 Classical & Realism 332 Contemporary Art 72 Nature‑Inspired Paintings 10 Sacred Indian Artworks: Gods & Goddesses 15 Paintings for Your Home 9 Paintings for an Office Space 6
Seller: Rooftop Collections
Untitled (2013)
Certified

Tribal Art

Untitled (2013)

A commanding central figure emerges against an open ground, its silhouette defined with clarity and filled with intricate, rhythmic patterning. The body is constructed through repeated dots, fine lines and scale-like motifs that move in deliberate directions, creating internal zones of texture and energy. Each section feels structurally resolved, as though the form has been assembled layer by layer until it achieves visual equilibrium. Colour is handled with confident restraint. Contrasting tones articulate distinct areas within the figure, while disciplined repetition binds them into a cohesive whole. There is no reliance on perspective or atmospheric depth; instead, the work asserts itself through surface intensity and compositional balance. The surrounding negative space sharpens the presence of the central form, allowing its internal complexity to resonate without distraction. As a leading practitioner of contemporary Gond art from Madhya Pradesh, Narmada Prasad Tekam extends traditional visual grammar into bold, singular compositions. Working in acrylic on canvas or paper, he approaches pattern as both structure and philosophy—an embodiment of continuity and interconnected life. Untitled (2013) stands as a concentrated expression of this approach, where repetition becomes authority and form becomes presence.

$ 9,229
Untitled II
Certified

Tribal Art

Untitled II

A single, commanding form occupies the surface, its body unfolding through intricate Gond patterning that transforms contour into pulse. Whether animal, bird or composite being, the figure is built from within: scales, dots and rhythmic line clusters fill the silhouette with dense, deliberate movement. The outline remains clear and assured, holding the internal complexity in disciplined balance. There is no extraneous background; the open ground intensifies the presence of the central form. Colour operates with restraint and clarity. Contrasting tones—deep reds, forest greens, indigo blues or warm ochres—define structural zones within the body, while fine linear repetition animates each section. The result is neither flat nor illusionistic; instead, it exists in a charged space where pattern becomes energy and surface becomes structure. The eye moves steadily across the figure, tracing its internal rhythms before returning to its unified whole. Narmada Prasad Tekam, a significant contemporary voice within the Gond tradition of Madhya Pradesh, extends inherited visual grammar into bold, singular compositions. Working in acrylic on canvas or paper, he treats repetition as both discipline and devotion, allowing the accumulation of marks to build presence. Untitled II stands as a refined expression of this approach—an artwork where form, pattern and tradition converge into a concentrated field of visual strength.

$ 10,379
Kamla Pooja
Certified

Tribal Art

Kamla Pooja

At the heart of the composition, a ceremonial gathering unfolds with deliberate clarity. Figures stand in devotional alignment, their forms outlined in confident contour and filled with intricate linear patterning that gives each body a quiet internal vibration. Hands lift in offering, vessels are held with care, and sacred symbols occupy the space with measured authority. The scene is neither crowded nor chaotic; instead, it is structured like a ritual itself—ordered, rhythmic and purposeful. Colour moves across the surface in luminous, flat planes—vermilion, indigo, turmeric yellow and leaf green—intensifying the spiritual charge of the moment. Pattern articulates fabric, skin and ground alike, transforming ornament into structure. There is little illusion of depth; the figures exist in a continuous visual field where devotion and daily life remain inseparable. The white or lightly toned ground sharpens each silhouette, allowing gesture and symbol to carry the narrative weight. Padma Shri Dulari Devi, one of the foremost practitioners of Mithila painting, brings to Kamla Pooja the authority of lived tradition and national recognition. Working in acrylic on canvas or paper, she sustains a visual language rooted in ritual practice and collective memory. This work stands as both artistic achievement and cultural document—an image where ceremony, pattern and community converge in enduring form.

$ 1,849
Double Fish Net
Certified

Tribal Art

Double Fish Net

Two great fish forms arc across the surface in mirrored rhythm, their bodies interlaced with the geometry of a net that binds, divides and unites the composition at once. Scales repeat in tight succession, building texture through patient accumulation, while fins extend outward in measured curves that balance the central tension of the mesh-like structure. The symmetry is deliberate, creating a visual dialogue between containment and movement, capture and flow. The net itself becomes more than motif; it is an architectural grid that orders the surface, contrasting the organic curvature of the fish with a disciplined linear framework. Pattern functions as structure rather than embellishment, articulating muscle, scale and fin through repetition and variation. The open ground surrounding the forms sharpens their silhouettes, allowing the interplay between dense interior detail and negative space to generate visual depth without illusionism. Working in acrylic on canvas or paper, Kishor Mhase draws upon a folk visual vocabulary rooted in community life and the rhythms of labour and environment. In Double Fish Net, the everyday act of fishing is transformed into a study of balance, symmetry and interdependence. The composition holds tension and harmony in equal measure, translating lived experience into a structured and resonant visual form.

$ 1,579
Untitled I
Certified

Tribal Art

Untitled I

A lively constellation of figures occupies the surface, each outlined with assured contour and filled with compact, rhythmic pattern. Human and animal forms stand in direct relation, their bodies articulated through repeated dots, short linear strokes and tightly ordered motifs that lend texture and vitality to flat colour. The composition feels open and narrative, unfolding across the white ground like a frieze where every figure plays a clear and deliberate role. Colour is bold and declarative—earth reds, leaf greens, deep blues and warm yellows—applied in even planes that heighten contrast and immediacy. There is little illusion of depth; instead, the painting asserts itself through clarity of silhouette and density of surface detail. The open ground remains active, sharpening each form and allowing the patterned interiors to resonate with quiet intensity. Working within the Baiga tradition of central India, Ramrati Baiga paints from lived experience, where ritual, landscape and daily life remain inseparable. In acrylic on canvas or paper, she sustains a visual language rooted in memory and community, where repetition functions as both decoration and declaration. Untitled I becomes an expression of this continuity—an artwork defined by bold colour, disciplined pattern and the steady authority of tradition carried forward.

$ 619
Untitled II
Certified

Tribal Art

Untitled II

Figures and motifs unfold across the surface with direct clarity, outlined in bold contour and filled with rhythmic, hand-rendered pattern. Human and animal forms stand in quiet relation to one another, their bodies animated by repeated dots, stripes and compact linear textures that transform flat colour into living surface. The composition feels open and narrative, each element occupying its own defined space while contributing to a shared visual rhythm. Colour is applied in luminous, unmodulated planes—earthy reds, forest greens, deep blues and warm yellows—creating an immediacy that is both celebratory and grounded. There is little concern for illusionistic depth; instead, the painting asserts itself through clarity of silhouette and density of ornament. The surrounding ground remains active and intentional, allowing the patterned interiors to resonate against the open field. Working within the Baiga tradition of central India, Rupa Baiga paints from within a cultural worldview in which ritual, environment and daily life remain interconnected. In acrylic on canvas or paper, she sustains a visual language rooted in memory and observation, where repetition is both decorative and declarative. Untitled II becomes an expression of this continuity—an artwork shaped by bold colour, disciplined pattern and the lived experience of community.

$ 999
Untitled V
Certified

Tribal Art

Untitled V

A field of living forms unfolds across the surface, rendered in bold contour and filled with rhythmic patterning that gives each figure its inner vitality. Human, animal or vegetal motifs emerge with directness and clarity, their bodies defined by repeated dots, stripes or linear textures that transform surface into pulse. The composition feels open and frieze-like, with each element occupying its own clear space while remaining part of a shared narrative field. Colour is applied in confident, flat expanses—earthy reds, deep greens, luminous yellows or cool blues—heightening the immediacy of the imagery. There is little concern for illusionistic depth; instead, the painting asserts its presence through clarity of outline and density of mark. The negative ground is active rather than empty, sharpening the silhouettes and allowing the patterned interiors to vibrate against the open space. Working within the Baiga tradition of central India, Hema Baiga approaches painting as both memory and lived experience. In acrylic on canvas or paper, she carries forward a visual language rooted in community, ritual and environment, where storytelling and ornament are inseparable. Untitled V becomes an expression of this continuity—an artwork shaped by repetition, colour and the intimate knowledge of a world observed from within.

$ 1,459
Untitled - Tribal Lifestyle III
Certified

Tribal Art

Untitled - Tribal Lifestyle III

Figures move through the composition in a steady rhythm, each engaged in gestures that reflect the routines of everyday tribal life. Men and women appear walking together, carrying objects or pausing in quiet conversation, their bodies defined by bold contours and filled with compact linear patterns. The figures remain distinct yet interconnected, creating a visual sequence that mirrors the flow of communal activity. The composition unfolds horizontally in the narrative spirit of traditional Paitkar painting, allowing multiple moments of village life to appear within a single pictorial field. Bright colours—vermilion reds, warm yellows, deep blues and vibrant greens—are applied in flat planes that give the scene clarity and vibrancy. Patterned garments and repeating decorative motifs guide the viewer’s eye across the arrangement of figures. Working within the storytelling traditions of tribal and Paitkar folk art, Kishor Gayen translates everyday experiences into structured pictorial narratives. In acrylic on canvas or paper, he records gestures of movement, work and social interaction that define village life. Untitled - Tribal Lifestyle III becomes a reflection of shared identity and cultural continuity, where ordinary actions are preserved through colour, pattern and balanced composition.

$ 139
Paitkar Tribals I

Tribal Art

Paitkar Tribals I

A gathering of figures occupies the surface in calm alignment, each rendered with confident contour and filled with compact, rhythmic linework. The bodies stand upright and direct, their gestures simple yet expressive—hands lifted in conversation, movement or daily action. Patterned garments and repeated motifs animate the forms, transforming flat colour into textured surface. The composition unfolds horizontally, echoing the narrative structure of traditional Paitkar scroll painting. Rather than constructing depth through perspective, the scene is organised through clear placement and balanced spacing, allowing each figure to maintain distinct presence within the shared environment. Bright colours—deep reds, luminous yellows, cool blues and vibrant greens—lend energy to the surface while reinforcing the rhythm created by repeating patterns. Working within the Paitkar storytelling tradition, Kishor Gayen translates the lives and identities of tribal communities into structured visual narratives. In acrylic on canvas or paper, he documents gestures of work, interaction and belonging with clarity and warmth. Paitkar Tribals I becomes both representation and record, capturing the spirit of community life through colour, pattern and steady composition.

$ 199
Daily Rituals IX
Certified

Tribal Art

Daily Rituals IX

The painting unfolds as a sequence of quiet moments drawn from everyday life. Figures move through familiar actions—carrying water, preparing food, tending to animals or pausing in conversation—each rendered with clear contour and compact linear detailing. The gestures are simple but purposeful, forming a visual rhythm that captures the steady pace of daily routine. Arranged across the surface like a narrative procession, the figures share space without hierarchy, each moment contributing to a larger portrait of community life. Bright colours—reds, yellows, greens and blues—are applied in flat, luminous planes that give the scene immediacy and warmth. Patterned clothing and repeating decorative motifs establish a visual cadence that guides the eye across the composition. Working within the Paitkar and tribal storytelling tradition, Kishor Gayen transforms ordinary experiences into structured visual narratives. In acrylic on canvas or paper, he records the gestures and interactions that define everyday existence. Daily Rituals IX stands as a reflection of continuity and community, where daily actions become a collective story told through colour, pattern and measured composition.

$ 229
Daily Rituals III
Certified

Tribal Art

Daily Rituals III

A sequence of everyday actions unfolds across the surface, presenting the quiet rhythm of daily life within a tribal community. Figures appear in measured alignment, engaged in familiar gestures—carrying vessels, preparing food, tending to animals or gathering in conversation. Each body is outlined with confident contour and filled with fine linear detailing that gives texture and vitality to otherwise flat planes of colour. The composition stretches horizontally like a narrative scroll, allowing individual moments to coexist within a single visual field. Bright colours—vermilion red, turmeric yellow, leafy green and deep blue—animate the scene while patterned clothing and decorative borders establish a steady visual rhythm. Rather than relying on perspective, the painting organizes space through repetition and clear placement, allowing each figure to maintain distinct presence within the shared environment. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates everyday experiences into carefully structured compositions. In acrylic on canvas or paper, he documents the gestures, routines and communal interactions that shape daily life. Daily Rituals III becomes a visual record of continuity, where ordinary actions are elevated through colour, pattern and narrative clarity.

$ 229
Rituals and Festivals
Certified

Tribal Art

Rituals and Festivals

The painting unfolds as a vibrant narrative of communal celebration, where figures gather in rhythmic alignment to mark moments of ritual and festivity. Men and women appear in purposeful gestures—carrying offerings, playing instruments, or participating in ceremonial acts—each rendered with confident contour and filled with fine linear detailing. The arrangement spreads across the surface like a visual procession, allowing multiple moments of activity to coexist within a single balanced composition. Colour is vivid and declarative, with bright reds, yellows, greens and blues applied in flat planes that intensify the festive atmosphere. Patterned garments and repeated decorative motifs create a visual rhythm that moves the eye steadily across the scene. There is little concern for depth or perspective; instead, the narrative unfolds through clear placement and the steady cadence of figures arranged across the open ground. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates lived cultural practices into structured visual narratives. In acrylic on canvas or paper, he documents the continuity of ritual and celebration within community life. Rituals and Festivals stands as a lively testament to this shared experience, where colour, pattern and human gesture come together in a unified expression of cultural memory.

$ 229
Daily Rituals II
Certified

Tribal Art

Daily Rituals II

The scene unfolds in measured continuity, presenting the quiet choreography of everyday life. Figures move through familiar gestures—carrying vessels, tending to tasks, standing in attentive exchange—each rendered with assured contour and compact internal detailing. The composition stretches horizontally like a visual narrative, allowing multiple moments to coexist within a single, unified field. Colour is applied in bold, flat planes—earth reds, bright yellows, deep blues and leafy greens—creating clarity and immediacy. Pattern articulates clothing and environment through repeated linear motifs, lending texture without disturbing the compositional balance. There is little emphasis on depth or perspective; instead, the painting relies on spatial rhythm and clear placement to structure the scene. Open ground provides breathing room, ensuring that each figure retains distinct presence within the collective arrangement. Working within a folk and tribal storytelling tradition, Kishor Gayen transforms ordinary actions into enduring visual statements. In acrylic on canvas or paper, he approaches daily life not as incidental subject matter but as a site of continuity and shared identity. Daily Rituals II stands as a testament to this perspective—an artwork where repetition, colour and measured composition elevate routine gesture into cultural memory.

$ 229
Festival Celebrations I

Tribal Art

Festival Celebrations I

The composition unfolds as a vibrant tableau of communal life, where figures gather in rhythmic alignment to mark a moment of shared festivity. Men and women stand in animated gesture, musicians play, and decorative motifs frame the scene with patterned precision. Each body is outlined with confident contour and filled with compact linear detailing that transforms clothing, skin and ground into textured surface. The arrangement is frieze-like, allowing the narrative to stretch across the plane without reliance on perspective. Colour is bold and declarative—vermilion reds, bright yellows, lush greens and deep blues—applied in flat expanses that heighten the celebratory atmosphere. Repetition within garments and borders builds visual rhythm, while open ground ensures clarity and compositional balance. The scene feels immediate and participatory, less a staged spectacle than a lived moment rendered with sincerity and structure. Kishor Gayen works within a folk and tribal painting tradition rooted in storytelling and collective memory. In acrylic on canvas or paper, he translates everyday rituals and seasonal gatherings into compositions that honour both detail and harmony. Festival Celebrations I stands as a vivid expression of community—an artwork where colour, pattern and shared experience converge into a unified visual celebration.

$ 229
84 Shriji Shringar
Certified

Folk Art

84 Shriji Shringar

The artist’s vision for the 84 Darshan painting is to create an expansive visual anthology that honors the endless variety of Lord Shrinathji's divine appearances. The core intention is to demonstrate that no two moments of devotion are identical; each of the 84 depictions is unique, featuring distinct background colors, varied floral arrangements such as the lotuses held in the deity's hands, and intricate, non-repeating designs for the ceremonial garlands (Maalas). By meticulously crafting each individual form with its own specific aesthetic and spiritual character, the artist aims to convey the immense joy and meditative bliss found in the creative process. This painting serves not just as a piece of art, but as a celebratory tribute to the diverse and ever-changing ways in which the Lord is adorned and worshipped throughout the year.

$ 7,839
Taad ka Ped (Borassus Tree)
Certified

Tribal Art

Taad ka Ped (Borassus Tree)

This vibrant composition by Bhil artist Sher Singh Bhavor celebrates the deep relationship between nature, community, and everyday tribal life. At the center stands a majestic tree whose branches extend outward like a living network of stories. Birds, animals, and human figures gather around it, symbolizing the harmony between people and the natural world. These tiny dots form textures that give life to each element while reflecting the ancestral storytelling traditions of the Bhil community. Through color, pattern, and narrative, the artist transforms the canvas into a celebration of tribal life and ecological balance.

Dancing Peacock I
Made to OrderCertified

Tribal Art

Dancing Peacock I

a graceful peacock surrounded by decorative motifs and rhythmic patterns. The bold composition draws attention to the elegant form, while intricate details create a sense of movement across the canvas. Using the traditional Bhil art style, Sher Singh Bhavor fills the entire surface with layered dots and vibrant colors that bring texture and depth to the work. The repetitive patterns are not merely decorative but represent the visual language of Bhil storytelling.

Dancing Peacock II
Made to OrderCertified

Tribal Art

Dancing Peacock II

Bhil artist Sher Singh Bhavor depicts a beautiful peacock resting beneath a flourishing tree. The scene conveys a quiet moment in nature where wildlife and landscape exist in peaceful harmony. Each dot contributes to the narrative flow of the artwork, transforming the animal and surrounding environment into a vibrant tapestry. Sher Singh Bhavor’s work reflects the Bhil community’s deep respect for nature and their enduring storytelling traditions.

Aam ka Ped (Mango Tree)
Made to OrderCertified

Tribal Art

Aam ka Ped (Mango Tree)

In this vibrant composition, Bhil artist Sher Singh Bhavor creates a decorative Mango tree surrounded by birds and stylized forms that appear to float around the branches. The symmetrical arrangement and rhythmic patterns create a harmonious visual balance. Executed in the traditional Bhil art style, the painting features dense dot patterns that give the forms their unique texture and vitality. These dots represent seeds of storytelling within Bhil culture, symbolizing life, growth, and continuity. Through his meticulous technique and vivid palette, Sher Singh Bhavor continues to preserve and celebrate the rich heritage of Bhil tribal art.

Pithora I
Made to OrderCertified

Tribal Art

Pithora I

A vibrant field of rhythmic forms spreads across the surface, where color and repetition come together in a celebratory visual language. Each figure is patiently filled with intricate lines and patterns, creating a lively cadence that flows through the composition. The luminous background enhances the movement within the artwork, allowing the forms to appear as if they are part of a joyful ritual unfolding in time. Rooted in the ritualistic traditions of Pithora art, the painting embodies celebration, community, and spiritual symbolism. The work invites viewers to immerse themselves in its rich details and vibrant energy, revealing the beauty of tribal heritage through color, rhythm, and handcrafted expression.

Discover Authentic Indian Art Paintings Online

Indian art paintings are more than just decorative, they are an experience steeped in heritage, storytelling, and culture. At Rooftop, we bring you a curated collection of original Indian paintings created by award-winning folk and tribal artists from across the country. From the earthy elegance of Warli to the vivid storytelling of Gond and Bhil, every artwork on our platform is hand-painted and rooted in centuries-old tradition.

These are not mass-produced pieces; they are timeless narratives painted by artists who have inherited their craft through generations. Whether you're looking to add warmth and personality to your living space, start creating a meaningful art collection, or gift something authentic and artistic for art lovers amongst your friends and family, our collection of Indian art paintings offers the perfect starting point.

Available across style and categories- our paintings are a celebration of India’s diverse culture - capturing local myths, daily life, spiritual beliefs, and nature’s rhythm with unmatched detail and soul. By buying paintings from Rooftop, you’re not just shopping for paintings for your home - you're adding a piece of Indian heritage to your space and supporting India’s master artisans to build a more sustainable culture. The paintings are all original artworks, signed by master artists who receive a fair royalty on each of their artworks. From artworks based on nature to auspicious paintings of gods and goddesses to beautiful depictions of folk and tribal tales - each painting is a unique masterpiece. So go ahead and shop from our collection and add a piece of India’s artistic heritage to your space too!

Bhil Art Paintings

Native to Madhya Pradesh, Bhil art is instantly recognisable for its vibrant colours and dotted textures. Often depicting animals, forests, and tribal myths, Bhil paintings are a celebration of the natural world. Our collection features works by renowned female artists like Bhuri Bai, Lado Bai, Ramila Bariya, Rita Bhuriya, Kamila Bariya - each painting telling a unique story from tribal life from a woman's perspective. If you’re looking for traditional Indian art that bursts with colour and meaning, our Bhil art collection of handpainted paintings is a perfect choice.

Gond Art Paintings

Gond art, from the heart of central India, is known for its intricate patterns and deep symbolic meanings. Rooted in storytelling, these paintings often depict flora, fauna, and folklore. Gond paintings beautifully express the connection between humans and nature, making them ideal for homes that seek harmony and cultural depth. Explore our Gond collection to find handpainted artworks that bring both energy and elegance to your space. With paintings by artists like Venkat Singh Shyam, Kaushal Tekam, Sushil Urveti Sahdev Pusham and other famous Gond tribal artists you are sure to find the perfect Gond painting for your space.

Baiga Art Paintings

Baiga art is a deeply expressive tribal art form from the Baiga community of central India, primarily found in Madhya Pradesh and Chhattisgarh. Known for its bold lines, raw symbolism, and minimal yet evocative compositions, Baiga art paintings often reflect a mystical connection between humans, animals, and nature. Traditionally painted on mud walls during rituals and festivals, Baiga art is now being brought to canvas by a new generation of artists dedicated to preserving this powerful visual language. These paintings depict traditional symbols and scenes from tribal life, with a strong spiritual undertone. At Rooftop, our Baiga art collection showcases original works created by artists who continue to practice and evolve this tradition. You can shop paintings by female artists Roopa Bai, Jodhaiya Bai and Hema Baiga on Rooftop. Owning a Baiga painting means inviting a rare and powerful expression of indigenous identity into your space - one that carries both aesthetic beauty and cultural depth.

Warli Art Paintings

Minimal, meaningful, and earthy Warli paintings originate from the tribal communities of Maharashtra. Using simple geometric forms like circles, triangles, and lines, Warli artists illustrate scenes of rural life, harvests, festivals, and rituals. Each painting captures the deep connection between people and their environment. Perfect for modern, rustic, or minimalist interiors, Warli art adds understated sophistication with a rich backstory. Our Warli paintings collection has paintings by Anil Vangad, Vijay Mhase and Pravin Mhase - who are awarded Indian artists known for their contribution to the world of art. Bring home authentic Indian paintings to add that magical Indian aesthetic to your home.

Madhubani Art Paintings

A traditional art form from Bihar, Madhubani paintings are known for their bold lines, bright colours, and spiritual themes. These intricate artworks often depict gods, goddesses, and symbols of nature and mythology. With origins in ceremonial wall paintings, Madhubani art brings with it a sense of ritual, rhythm, and reverence. Our collection includes wonderful interpretations by acclaimed artists like Ambika, Hema Devi and Padma Shri Dulari Devi. So if you want to shop authentic Indian paintings that add culture and color to your space - Rooftop’s Indian art collection is ideal.

Why Choose Rooftop for Indian Paintings?

Authentic Craftsmanship

Every painting is hand painted by skilled Indian artisans, using traditional techniques passed down for generations.

Original Masterpieces

We collaborate with award-winning master artists and ensure fair royalties to the artists for every sale, building a culture of sustainability.

Cultural Art Meets Modern Aesthetics

From bold Bhil dots to minimalist Warli lines, our paintings suit homes, workspaces, and collectors alike.

Perfect for Gifting or Collecting

Looking for a meaningful gift? Our Indian artworks make thoughtful presents for weddings, housewarmings, festivals, and more.

Buy Indian Paintings Online with Confidence

Explore Rooftop’s curated collection of Indian folk, tribal, nature inspired and devotional paintings—delivered with authenticity and trust Whether you're an art lover or a first-time buyer, we help you connect with the true soul of Indian art.