Traditional pabuji ki phad 3

Rooftop Collections

Description

Created in 2004, this National Merit Award-winning Phad painting offers an expansive visual narrative of the life and legends of the folk deity Pabu ji Rathore. The composition meticulously follows the traditional storytelling structure used by Bhopa and Bhopi oral narrators, opening with auspicious invocations of Lord Ganesha, the Dashavatara, and other sacred scripts. The artwork captures the quest for his famous mare, Kesar Kalmi, and his subsequent meeting with the deity Goga ji.

A central theme involves Pabu ji fulfilling a promise made at his niece Kelam's wedding to provide camels as a gift. Much like Lord Rama sent Hanuman to find Sita, Pabu ji dispatches his trusted aide, Harmal, to Lankeya (in modern-day Pakistan) to locate the animals. The painting illustrates the strategic mission to retrieve the camels, the romantic union with Princess Phulwanti in Soda, and the ultimate sacrifice where Pabu ji achieves martyrdom while defending a Charani woman’s cows.

Non-cancellable

This product cannot be cancelled once the order is placed. This item is non-returnable.

$ 9,239

In Stock

Is this painting handmade?

Yes. Phad artworks on Rooftop, including Traditional Pabuji ki Phad 3, are hand-painted by master artists working within Rajasthan’s living Phad tradition. Prakash Joshi’s work is created entirely by hand using traditional techniques.

Does the painting come with a certificate of authenticity?

Yes. Each Rooftop artwork comes with a certificate of authenticity verifying the origin, medium and identity of the artist. This confirms that Traditional Pabuji ki Phad 3 is an original, handcrafted work created by a verified artist associated with Rooftop.

How will the painting be shipped?

We carefully package all works, including Traditional Pabuji ki Phad 3, using protective materials suited to the artwork’s medium to ensure safe delivery. Shipping is available worldwide, and tracking details are provided once your order is dispatched.

Can I return or exchange the artwork?

Since Traditional Pabuji ki Phad 3 is an original, handmade work, we do not accept returns or exchanges. However, if your painting arrives damaged, please contact us within 24 hours of delivery and we will do our best to assist you.

Prakash Joshi

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 Dr. Prakash Joshi is a distinguished National Award-winning master artist from Bhilwara, Rajasthan, and one of the foremost contemporary practitioners of the traditional Phad painting. Belonging to a lineage that has preserved and practiced this sacred storytelling art form for centuries, he carries forward a legacy that dates back to the 10th century. Deeply rooted in tradition, his work reflects both inherited knowledge and a lifelong dedication to the evolution of Phad.
He was honoured with the National Merit Award in 2008, followed by the prestigious National Award in 2009, recognizing his exceptional contribution to Indian folk art. Over the years, his excellence has been further acknowledged through several accolades, including the Kalamani Award (2010), UNESCO Award (2014), and a Gold Medal in Folk Art (2016). In addition to his artistic achievements, Dr. Joshi holds a Doctorate degree from Global Human Peace University, reflecting his scholarly engagement with art and culture.
Beyond his personal practice, Dr. Joshi is deeply committed to the preservation and propagation of Phad painting. He actively mentors and trains emerging artists, ensuring that this centuries-old tradition continues to thrive. His teaching extends beyond his studio to some of India’s most prestigious institutions, including IITs, IIMs, NIFT, and NID, as well as various international universities and cultural platforms. Through these engagements, he bridges the gap between traditional art forms and contemporary audiences.
While firmly grounded in the classical style of Phad painting—traditionally used to depict local deities and folk narratives—Dr. Joshi has also played a significant role in expanding its visual and thematic language. He has introduced innovations such as the incorporation of Devanagari inscriptions, experimentation with composition, and adapting elements of miniature painting into Phad. His work goes beyond traditional folklore to include narratives from major epics, religious themes, and even contemporary and secular subjects, making the art form more relevant to modern viewers.
Through his practice, Dr. Prakash Joshi not only preserves the authenticity of Phad painting but also reimagines its possibilities, ensuring its continued relevance in today’s cultural landscape. 

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