Rooftop Logo Light

Menu

Your Cart

Your cart is empty

Paintings Indigenous Art: Authentic Handmade Indian Art

Buy Paintings Indigenous Art on Rooftop. Authentic handmade Indian art created by master folk artists. Shop original Indian handmade art online.

Showing 505 – 528 of 804

All Products
Paintings
Indigenous Art 808 Folk Art 152 Tribal Art 648 Religious Art 35 Contemporary Indigenous 5
Barasingha in Bhil Art
Certified

Tribal Art

Barasingha in Bhil Art

A magnificent orange barasingha stands at the centre of this handmade painting by Lado Bai, its large dot-patterned body filling the composition with warmth and authority. Elaborate branching antlers extend from its head, echoing the forms of the green fern-like foliage that frames the top and bottom edges of the paper. Around the deer, the forest reveals itself in a scatter of smaller creatures: dark lizards climb through the branches, a blue bird perches to the right, small insects and frogs appear near the ground, and dark mushroom-like forms with patterned caps anchor the left side of the composition. Pink berries dot the greenery, adding bursts of colour to an already abundant scene. Painted in acrylic on paper, the work presents the Bhil vision of the forest as a place of radical fullness, where every surface is occupied and every creature is held within the same interconnected web of life. The warm orange of the barasingha glows against the surrounding greens, blacks and blues, giving this original artwork a visual warmth and focal clarity that draws the eye immediately to the central figure before rewarding exploration of the rich details that surround it. Lado Bai's dot work covers the deer with meticulous precision, while the foliage and smaller creatures are rendered with a looser, more spontaneous energy, creating a beautiful contrast between the patient and the gestural within a single handcrafted painting. As a piece of traditional Indian art, every element was created entirely by hand, carrying an authenticity and individuality that mass-produced prints cannot replicate. This painting holds powerful appeal as distinctive wall art for contemporary home decor and as a culturally significant collectible from one of India's most celebrated living tribal art traditions. ### Why This Artwork Stands Out ### - Every creature, fern and berry is painted entirely by hand by Lado Bai, making this a unique original artwork with no mechanical reproduction involved. - The grand barasingha at the centre, surrounded by a complete forest ecosystem, showcases the rich narrative depth of Bhil tribal painting. - The warm orange and cool green palette creates a vibrant, nature-inspired colour harmony that enlivens any wall art arrangement or home decor setting. - As an authentic Bhil painting depicting the interconnectedness of forest life, this work carries deep cultural significance and enduring collectible value.

$ 609
Life and Pointillism in Art
Certified

Tribal Art

Life and Pointillism in Art

Two large lizards climb across the surface of this handmade painting by Lado Bai, their bodies intertwined in a dynamic diagonal embrace that fills the composition with movement and muscular energy. One lizard is rendered in soft pink and lavender, its surface shimmering with dots in yellow, white and dark tones, while the other is built from bands of deep green, black and dark maroon, its dot patterning in blue, white and bright green creating a visual rhythm of alternating dark and light. Their splayed fingers and curling tails reach toward the edges of the paper, giving the composition a sense of creatures too large and too alive to be contained within the frame. Painted in acrylic on paper, the work is a masterful demonstration of Bhil pointillism, where thousands of individually placed dots transform flat colour into shimmering, textured surfaces that seem to pulse with life. The contrast between the soft pink tones and the dark banded body creates a visual dialogue of opposites that is both bold and harmonious, the two creatures unified by the consistency of the dot-patterning technique that covers every surface. Lado Bai's hand is present in every single mark, each dot deliberately placed to build pattern, texture and form without the aid of any mechanical process. As an original artwork and a piece of handcrafted Indian art, this painting carries a raw, physical presence that printed reproductions cannot replicate. It is equally compelling as contemporary wall art for home decor and as a culturally significant collectible that showcases the living pointillist tradition of Bhil tribal painting at its most ambitious and visually commanding scale. ### Why This Artwork Stands Out ### - Thousands of individually placed dots are applied entirely by hand by Lado Bai, making this a singular original artwork that showcases Bhil pointillism at its finest. - The intertwined dual-lizard composition creates a powerful sense of movement and energy, rendered at a scale that commands attention on any wall. - The unexpected palette of soft pink and deep green-black creates a striking visual contrast that adds a bold, contemporary edge to traditional tribal art. - As an authentic Bhil painting demonstrating mastery of the pointillist technique, this work holds significant cultural and collectible value.

$ 609
Tree of Life with Birds
Certified

Tribal Art

Tree of Life with Birds

A broad maroon tree rises at the centre of this handmade painting by Lado Bai, its branches spreading outward with burnt orange leaves clinging to their tips. At the base, three deer gather in green and orange, their bodies dense with dot patterning in white and black, their branching antlers echoing the shape of the tree's own limbs. A small green snake coils among the upper branches, its presence quiet but unmistakable, a creature of the canopy as much as the deer are creatures of the ground. Painted in acrylic on paper, the composition presents the Bhil understanding of the forest as a single living architecture where tree, animal and serpent are not separate inhabitants but extensions of the same rooted world. The earthy palette of maroon, green and warm orange gives this original artwork a grounded, organic warmth that feels drawn directly from the forests and landscapes of the Bhil homeland. Lado Bai's brushwork on the tree trunk carries a textural energy, with quick strokes and white highlights creating a sense of bark and grain, while the animals below are rendered with the patient, precise dot work that is the hallmark of her practice. As a piece of handcrafted Indian art, every element of this painting was created entirely by hand, carrying an authenticity and individuality that printed reproductions cannot replicate. It stands as both a striking piece of traditional wall art for home decor and a culturally significant collectible rooted in one of India's most vital living art traditions. ### Why This Artwork Stands Out ### - Every tree, deer and serpent is painted entirely by hand by Lado Bai, making this a unique original artwork with no mechanical reproduction involved. - The composition brings together the Tree of Life motif with forest animals and a serpent, reflecting the rich, layered storytelling tradition of Bhil tribal art. - The earthy palette of maroon, green and orange creates a warm, organic presence that complements a wide range of home decor settings. - As an authentic Bhil painting by a practising master artist, this work holds enduring cultural significance and strong collectible value .

$ 529
Tree of Life with Birds
Certified

Tribal Art

Tree of Life with Birds

A magnificent orange tree rises from the back of a dark bird in this handmade painting by Lado Bai, its branches spreading outward and upward in every direction, each one tipped with leaves in deep blue and vivid green. The tree grows not from the earth but from the body of the bird itself, a distinctly Bhil proposition where animals and plants are not separate kingdoms but extensions of the same living force. Among the branches, a red bird and a pale blue bird rest quietly, their dot-patterned bodies nestled within the canopy as though they were as much a part of the tree as the leaves themselves. Painted in acrylic on paper, the work draws from the Tree of Life motif central to Bhil and broader Indian art traditions, reimagining it here as a living organism sustained by the creature that carries it. The warm orange of the trunk and branches against the cool blue and green of the foliage creates a colour field that is at once radiant and grounded, full of movement yet perfectly balanced. The dark bird at the base anchors the composition with its still, solid form, its surface shimmering with yellow and white dots that echo the patterning of the tree above. Lado Bai's handcrafted dot work is present across every element, giving the painting a textural richness that rewards close and sustained viewing. As an original artwork rooted in one of Indian art's most iconic motifs, this piece holds powerful appeal both as contemporary wall art for home decor and as a collectible of enduring cultural significance. ### Why This Artwork Stands Out ### - Every branch, leaf and bird is painted entirely by hand by Lado Bai, ensuring this is a unique original artwork with no prints or reproductions. - The Tree of Life motif, reimagined as growing from the body of a bird, reflects the Bhil worldview of nature's sacred interconnectedness in a visually arresting composition. - The vibrant palette of orange, blue and green gives the work a warm, radiant energy that enlivens any wall art arrangement or home decor setting. - As an authentic Bhil painting featuring one of Indian traditional art's most celebrated motifs, it carries deep cultural meaning and strong collectible value.

$ 679
Inter-Relationship of Animals
Certified

Tribal Art

Inter-Relationship of Animals

Three animals rise in a vertical stack in this handmade painting by Lado Bai, each one balanced upon the back of the creature below it. A sturdy blue deer with spiralling horns stands at the base, its body covered in a constellation of dark, white and yellow green dots. Upon its back rests a warm orange animal, mid-stride and full of movement, and above that a second orange creature arches through the air, its form suggesting a bird or leaping fish. Painted in acrylic on paper, the composition presents the interconnectedness of the animal world not as a scientific diagram but as a felt truth, a Bhil understanding of nature where creatures do not merely coexist but physically carry one another, their fates and bodies interlinked across species and scale. The vertical arrangement gives this original artwork a totemic quality, as though the three figures together form a single column of living energy rising from the earth toward the sky. Lado Bai's dot work covers every surface with rhythmic precision, each mark placed by hand to create a shimmering texture that transforms flat colour into something vibrant and alive. The interplay of cool blue and warm orange produces a colour harmony that is both visually striking and versatile as wall art for contemporary home decor. As an authentic piece of handcrafted Indian tribal art, this painting carries the weight of a living tradition where the relationship between all creatures is sacred and inseparable. ## Why This Artwork Stands Out ## - Painted entirely by hand by Lado Bai using traditional Bhil techniques, this is a one-of-a-kind original artwork free from any mechanical reproduction. - The totemic stacking of three animal forms creates a visually powerful composition rooted in the Bhil worldview of ecological interdependence. - The warm orange and cool blue palette produces a striking colour balance that complements a wide range of interior settings and home decor styles. - As an authentic Bhil painting exploring the sacred interconnectedness of the animal world, it holds deep cultural resonance and lasting collectible value.

$ 529
Tribal Ants
Certified

Tribal Art

Tribal Ants

Two mirrored pairs of lizard-like creatures and ants face each other across the centre of this handmade painting by Lado Bai, their bodies ablaze in orange, green and dark olive, scattered with precise dot patterns in white, yellow and pink. Blue leaves float between and around them, adding bursts of cool colour to an otherwise warm, earthy composition. The symmetrical arrangement gives the work a quality of visual balance that feels almost heraldic, as though these forest creatures were arranged not by observation but by design, by the deep internal logic of Bhil cosmology where every creature holds its place in a larger, interconnected order. Painted in acrylic on paper, the piece vibrates with a density of colour and pattern that is characteristic of Lado Bai's most richly layered works. The symmetry of the composition, combined with the vivid multi-coloured palette, gives this original artwork a decorative power that translates effortlessly into contemporary home decor while remaining rooted in the traditions of Indian tribal art. Every element, from the splayed feet of the creatures to the veined texture of the floating leaves, is rendered entirely by hand, carrying the unmistakable texture of a handcrafted painting that no print or reproduction can duplicate. This is a work that rewards close viewing, where the interplay of orange and green, of creature and leaf, reveals itself gradually as a celebration of the interconnectedness of all living forms. ### Why This Artwork Stands Out ### - Entirely hand-painted by Lado Bai with meticulous dot-patterning, this is a one-of-a-kind original artwork bearing the artist's personal mark. - The symmetrical, almost heraldic composition gives the work a bold graphic presence uncommon in tribal painting, making it a standout wall art piece. - The vibrant palette of orange, green, blue and dark olive creates a richly layered colour field that enlivens any interior setting. - As an authentic Bhil painting depicting the interconnectedness of forest life, it carries cultural depth and lasting collectible value.

$ 529
Birds Orange
Certified

Tribal Art

Birds Orange

Three orange birds stand gathered in a vertical cluster in this handmade painting by Lado Bai, their warm terracotta bodies covered in delicate white and dark dot patterns that shimmer across the surface like scattered seeds. A large bird anchors the composition at the centre, its curved neck bending protectively over two smaller birds that press close, their postures suggesting tenderness, kinship, the quiet gravity of creatures that belong together. The forms are distinctly Bhil in their treatment: not anatomically precise but emotionally exact, each bird carrying the weight of myth and memory within its simple, powerful silhouette. Painted in acrylic on paper, the work draws from a living tribal art tradition where the natural world is depicted not as scenery but as family. The warm orange palette gives this original artwork a quality of earthen radiance, as though the birds themselves were made from the same soil as the forests and fields of the Bhil homeland. Lado Bai's dot work is applied with rhythmic consistency across every surface, creating a visual texture that is at once decorative and deeply meditative. As a piece of handcrafted Indian art, it carries a warmth and intimacy that printed reproductions cannot replicate, making it a meaningful addition to any wall art collection or home decor setting that values authenticity, tradition and the quiet beauty of the handmade. Why This Artwork Stands Out - Entirely hand-painted by Lado Bai using traditional Bhil techniques, this is a genuine original artwork with no mechanical reproduction involved. - The warm terracotta and orange palette gives the work a distinctive earthen warmth that sets it apart from conventional wall art. - The intimate grouping of the bird forms conveys a sense of familial closeness, adding emotional depth to any living space or home decor arrangement. - As an authentic work of Bhil tribal painting, it holds significant cultural relevance and long-term collectible value.

$ 529
Birds Blue
Certified

Tribal Art

Birds Blue

A cluster of vivid blue birds tumbles across the surface of this handmade painting by Lado Bai, their elongated bodies patterned with rhythmic dots in white, orange, green and deep red. The forms overlap and interlock with the easy confidence of creatures that belong to the same flock, the same world, the same story. One large bird stretches diagonally across the composition while smaller birds branch outward from it, creating a sense of familial proximity, of bodies that move together because they have always moved together. Painted in acrylic on paper, the work draws on the visual grammar of Bhil tribal art, where animals are not observed from a distance but felt from within, their presence inseparable from the rhythms of the natural world. Lado Bai's signature dot work transforms each bird into a living surface of colour and texture, every mark placed by hand with the patience and precision that defines this centuries-old Indian art tradition. The clean white ground allows the intensity of the blue to resonate without interruption, giving the composition a striking graphic clarity that makes it equally powerful as original artwork for a contemporary home or as a collectible piece of traditional art. This handcrafted painting carries the unmistakable energy of Bhil visual storytelling, where the boundary between the decorative and the sacred remains beautifully unresolved. Why This Artwork Stands Out - Every dot and brushstroke is applied entirely by hand by Lado Bai, ensuring this is a one-of-a-kind original with no prints or reproductions. - The intricate Bhil dot-patterning technique transforms simple bird forms into richly textured, rhythmically alive surfaces that reward close viewing. - The bold blue palette against a clean white ground gives the work a striking visual presence suited to both contemporary and traditionally styled interiors. - As an authentic Bhil tribal painting by a practising master artist, this piece holds enduring cultural and collectible value.

$ 529
Krishna Leela
Certified

Folk Art

Krishna Leela

This blue-themed painting illustrates the expansive Krishna Leela through a unique map-style composition centered on the Yamuna River, with Mathura situated to the right and Gokul, Barsana, and Vrindavan to the left. The narrative begins with the marriage of Devki and Vasudev, their subsequent imprisonment by Kansa, and the miraculous birth of Krishna, whom Vasudev carries across the river to safety. The artwork captures numerous legendary feats, including the slaying of demons like Putana and Bakasura, the lifting of Govardhan Hill, and the Raas Leela. The story reaches its climax as Krishna and Balaram return to Mathura to defeat a maddened elephant and ultimately slay King Kansa, successfully liberating their parents

$ 2,049
Paitkar Masterpiece
Certified

Tribal Art

Paitkar Masterpiece

The composition presents a dynamic sequence of figures and elements that reflect the storytelling traditions of Paitkar folk art. Scenes of village life unfold through gestures of movement, work and interaction, with men and women appearing across the surface in rhythmic procession. Bold contours define the figures while compact linear patterns fill their forms, creating a lively visual narrative that captures the spirit of community life. The composition stretches horizontally in the narrative style characteristic of traditional Paitkar painting, allowing multiple moments to coexist within a single pictorial field. Bright colours—vermilion reds, warm yellows, deep blues and vibrant greens—are applied in flat planes that bring clarity and vibrancy to the scene. Decorative motifs and patterned garments create a steady cadence that guides the viewer’s eye across the storytelling surface. Working within the living traditions of tribal and Paitkar folk art, Kishor Gayen transforms everyday experiences into structured visual narratives. Using acrylic on canvas or paper, he documents gestures of daily life, ritual and social interaction that define village culture. Paitkar Masterpiece stands as a reflection of artistic heritage, where storytelling, colour and pattern preserve the continuity of tradition.

$ 919
Untitled I
Certified

Tribal Art

Untitled I

A singular, stylised form commands the surface, its silhouette articulated with fluid assurance and filled with intricate Gond patterning. The body unfolds through repeated dots, fine lines and scale-like textures that generate internal movement, as though the figure carries its own contained current of energy. Contours remain clear and deliberate, holding the density of detail within a balanced and unified structure. Colour moves in controlled contrast—deep blues, warm reds, forest greens or muted ochres—defining distinct zones within the figure while preserving overall cohesion. The open ground intensifies the presence of the central form, eliminating distraction and drawing the eye into the layered interior. There is no reliance on conventional depth; instead, repetition and variation create a sense of dimension through surface rhythm alone. Santoshi Shyam, a significant contemporary voice within the Gond tradition of Madhya Pradesh, extends inherited visual language into bold, expressive compositions. Working in acrylic on canvas or paper, she approaches pattern as both identity and invocation, building presence through disciplined accumulation. Untitled I stands as a concentrated expression of this philosophy—an artwork where form, colour and repetition converge into a unified and resonant whole.

$ 1,809
Untitled (2013)
Certified

Tribal Art

Untitled (2013)

A commanding central figure emerges against an open ground, its silhouette defined with clarity and filled with intricate, rhythmic patterning. The body is constructed through repeated dots, fine lines and scale-like motifs that move in deliberate directions, creating internal zones of texture and energy. Each section feels structurally resolved, as though the form has been assembled layer by layer until it achieves visual equilibrium. Colour is handled with confident restraint. Contrasting tones articulate distinct areas within the figure, while disciplined repetition binds them into a cohesive whole. There is no reliance on perspective or atmospheric depth; instead, the work asserts itself through surface intensity and compositional balance. The surrounding negative space sharpens the presence of the central form, allowing its internal complexity to resonate without distraction. As a leading practitioner of contemporary Gond art from Madhya Pradesh, Narmada Prasad Tekam extends traditional visual grammar into bold, singular compositions. Working in acrylic on canvas or paper, he approaches pattern as both structure and philosophy—an embodiment of continuity and interconnected life. Untitled (2013) stands as a concentrated expression of this approach, where repetition becomes authority and form becomes presence.

$ 9,049
Untitled II
Certified

Tribal Art

Untitled II

A single, commanding form occupies the surface, its body unfolding through intricate Gond patterning that transforms contour into pulse. Whether animal, bird or composite being, the figure is built from within: scales, dots and rhythmic line clusters fill the silhouette with dense, deliberate movement. The outline remains clear and assured, holding the internal complexity in disciplined balance. There is no extraneous background; the open ground intensifies the presence of the central form. Colour operates with restraint and clarity. Contrasting tones—deep reds, forest greens, indigo blues or warm ochres—define structural zones within the body, while fine linear repetition animates each section. The result is neither flat nor illusionistic; instead, it exists in a charged space where pattern becomes energy and surface becomes structure. The eye moves steadily across the figure, tracing its internal rhythms before returning to its unified whole. Narmada Prasad Tekam, a significant contemporary voice within the Gond tradition of Madhya Pradesh, extends inherited visual grammar into bold, singular compositions. Working in acrylic on canvas or paper, he treats repetition as both discipline and devotion, allowing the accumulation of marks to build presence. Untitled II stands as a refined expression of this approach—an artwork where form, pattern and tradition converge into a concentrated field of visual strength.

$ 10,179
Kamla Pooja
Certified

Tribal Art

Kamla Pooja

At the heart of the composition, a ceremonial gathering unfolds with deliberate clarity. Figures stand in devotional alignment, their forms outlined in confident contour and filled with intricate linear patterning that gives each body a quiet internal vibration. Hands lift in offering, vessels are held with care, and sacred symbols occupy the space with measured authority. The scene is neither crowded nor chaotic; instead, it is structured like a ritual itself—ordered, rhythmic and purposeful. Colour moves across the surface in luminous, flat planes—vermilion, indigo, turmeric yellow and leaf green—intensifying the spiritual charge of the moment. Pattern articulates fabric, skin and ground alike, transforming ornament into structure. There is little illusion of depth; the figures exist in a continuous visual field where devotion and daily life remain inseparable. The white or lightly toned ground sharpens each silhouette, allowing gesture and symbol to carry the narrative weight. Padma Shri Dulari Devi, one of the foremost practitioners of Mithila painting, brings to Kamla Pooja the authority of lived tradition and national recognition. Working in acrylic on canvas or paper, she sustains a visual language rooted in ritual practice and collective memory. This work stands as both artistic achievement and cultural document—an image where ceremony, pattern and community converge in enduring form.

$ 1,809
Double Fish Net
Certified

Tribal Art

Double Fish Net

Two great fish forms arc across the surface in mirrored rhythm, their bodies interlaced with the geometry of a net that binds, divides and unites the composition at once. Scales repeat in tight succession, building texture through patient accumulation, while fins extend outward in measured curves that balance the central tension of the mesh-like structure. The symmetry is deliberate, creating a visual dialogue between containment and movement, capture and flow. The net itself becomes more than motif; it is an architectural grid that orders the surface, contrasting the organic curvature of the fish with a disciplined linear framework. Pattern functions as structure rather than embellishment, articulating muscle, scale and fin through repetition and variation. The open ground surrounding the forms sharpens their silhouettes, allowing the interplay between dense interior detail and negative space to generate visual depth without illusionism. Working in acrylic on canvas or paper, Kishor Mhase draws upon a folk visual vocabulary rooted in community life and the rhythms of labour and environment. In Double Fish Net, the everyday act of fishing is transformed into a study of balance, symmetry and interdependence. The composition holds tension and harmony in equal measure, translating lived experience into a structured and resonant visual form.

$ 1,549
Untitled I
Certified

Tribal Art

Untitled I

A lively constellation of figures occupies the surface, each outlined with assured contour and filled with compact, rhythmic pattern. Human and animal forms stand in direct relation, their bodies articulated through repeated dots, short linear strokes and tightly ordered motifs that lend texture and vitality to flat colour. The composition feels open and narrative, unfolding across the white ground like a frieze where every figure plays a clear and deliberate role. Colour is bold and declarative—earth reds, leaf greens, deep blues and warm yellows—applied in even planes that heighten contrast and immediacy. There is little illusion of depth; instead, the painting asserts itself through clarity of silhouette and density of surface detail. The open ground remains active, sharpening each form and allowing the patterned interiors to resonate with quiet intensity. Working within the Baiga tradition of central India, Ramrati Baiga paints from lived experience, where ritual, landscape and daily life remain inseparable. In acrylic on canvas or paper, she sustains a visual language rooted in memory and community, where repetition functions as both decoration and declaration. Untitled I becomes an expression of this continuity—an artwork defined by bold colour, disciplined pattern and the steady authority of tradition carried forward.

$ 609
Untitled II
Certified

Tribal Art

Untitled II

Figures and motifs unfold across the surface with direct clarity, outlined in bold contour and filled with rhythmic, hand-rendered pattern. Human and animal forms stand in quiet relation to one another, their bodies animated by repeated dots, stripes and compact linear textures that transform flat colour into living surface. The composition feels open and narrative, each element occupying its own defined space while contributing to a shared visual rhythm. Colour is applied in luminous, unmodulated planes—earthy reds, forest greens, deep blues and warm yellows—creating an immediacy that is both celebratory and grounded. There is little concern for illusionistic depth; instead, the painting asserts itself through clarity of silhouette and density of ornament. The surrounding ground remains active and intentional, allowing the patterned interiors to resonate against the open field. Working within the Baiga tradition of central India, Rupa Baiga paints from within a cultural worldview in which ritual, environment and daily life remain interconnected. In acrylic on canvas or paper, she sustains a visual language rooted in memory and observation, where repetition is both decorative and declarative. Untitled II becomes an expression of this continuity—an artwork shaped by bold colour, disciplined pattern and the lived experience of community.

$ 979
Untitled V
Certified

Tribal Art

Untitled V

A field of living forms unfolds across the surface, rendered in bold contour and filled with rhythmic patterning that gives each figure its inner vitality. Human, animal or vegetal motifs emerge with directness and clarity, their bodies defined by repeated dots, stripes or linear textures that transform surface into pulse. The composition feels open and frieze-like, with each element occupying its own clear space while remaining part of a shared narrative field. Colour is applied in confident, flat expanses—earthy reds, deep greens, luminous yellows or cool blues—heightening the immediacy of the imagery. There is little concern for illusionistic depth; instead, the painting asserts its presence through clarity of outline and density of mark. The negative ground is active rather than empty, sharpening the silhouettes and allowing the patterned interiors to vibrate against the open space. Working within the Baiga tradition of central India, Hema Baiga approaches painting as both memory and lived experience. In acrylic on canvas or paper, she carries forward a visual language rooted in community, ritual and environment, where storytelling and ornament are inseparable. Untitled V becomes an expression of this continuity—an artwork shaped by repetition, colour and the intimate knowledge of a world observed from within.

$ 1,439
Untitled - Tribal Lifestyle III
Certified

Tribal Art

Untitled - Tribal Lifestyle III

Figures move through the composition in a steady rhythm, each engaged in gestures that reflect the routines of everyday tribal life. Men and women appear walking together, carrying objects or pausing in quiet conversation, their bodies defined by bold contours and filled with compact linear patterns. The figures remain distinct yet interconnected, creating a visual sequence that mirrors the flow of communal activity. The composition unfolds horizontally in the narrative spirit of traditional Paitkar painting, allowing multiple moments of village life to appear within a single pictorial field. Bright colours—vermilion reds, warm yellows, deep blues and vibrant greens—are applied in flat planes that give the scene clarity and vibrancy. Patterned garments and repeating decorative motifs guide the viewer’s eye across the arrangement of figures. Working within the storytelling traditions of tribal and Paitkar folk art, Kishor Gayen translates everyday experiences into structured pictorial narratives. In acrylic on canvas or paper, he records gestures of movement, work and social interaction that define village life. Untitled - Tribal Lifestyle III becomes a reflection of shared identity and cultural continuity, where ordinary actions are preserved through colour, pattern and balanced composition.

$ 139
Paitkar Tribals I

Tribal Art

Paitkar Tribals I

A gathering of figures occupies the surface in calm alignment, each rendered with confident contour and filled with compact, rhythmic linework. The bodies stand upright and direct, their gestures simple yet expressive—hands lifted in conversation, movement or daily action. Patterned garments and repeated motifs animate the forms, transforming flat colour into textured surface. The composition unfolds horizontally, echoing the narrative structure of traditional Paitkar scroll painting. Rather than constructing depth through perspective, the scene is organised through clear placement and balanced spacing, allowing each figure to maintain distinct presence within the shared environment. Bright colours—deep reds, luminous yellows, cool blues and vibrant greens—lend energy to the surface while reinforcing the rhythm created by repeating patterns. Working within the Paitkar storytelling tradition, Kishor Gayen translates the lives and identities of tribal communities into structured visual narratives. In acrylic on canvas or paper, he documents gestures of work, interaction and belonging with clarity and warmth. Paitkar Tribals I becomes both representation and record, capturing the spirit of community life through colour, pattern and steady composition.

$ 189
Daily Rituals IX
Certified

Tribal Art

Daily Rituals IX

The painting unfolds as a sequence of quiet moments drawn from everyday life. Figures move through familiar actions—carrying water, preparing food, tending to animals or pausing in conversation—each rendered with clear contour and compact linear detailing. The gestures are simple but purposeful, forming a visual rhythm that captures the steady pace of daily routine. Arranged across the surface like a narrative procession, the figures share space without hierarchy, each moment contributing to a larger portrait of community life. Bright colours—reds, yellows, greens and blues—are applied in flat, luminous planes that give the scene immediacy and warmth. Patterned clothing and repeating decorative motifs establish a visual cadence that guides the eye across the composition. Working within the Paitkar and tribal storytelling tradition, Kishor Gayen transforms ordinary experiences into structured visual narratives. In acrylic on canvas or paper, he records the gestures and interactions that define everyday existence. Daily Rituals IX stands as a reflection of continuity and community, where daily actions become a collective story told through colour, pattern and measured composition.

$ 219
Daily Rituals III
Certified

Tribal Art

Daily Rituals III

A sequence of everyday actions unfolds across the surface, presenting the quiet rhythm of daily life within a tribal community. Figures appear in measured alignment, engaged in familiar gestures—carrying vessels, preparing food, tending to animals or gathering in conversation. Each body is outlined with confident contour and filled with fine linear detailing that gives texture and vitality to otherwise flat planes of colour. The composition stretches horizontally like a narrative scroll, allowing individual moments to coexist within a single visual field. Bright colours—vermilion red, turmeric yellow, leafy green and deep blue—animate the scene while patterned clothing and decorative borders establish a steady visual rhythm. Rather than relying on perspective, the painting organizes space through repetition and clear placement, allowing each figure to maintain distinct presence within the shared environment. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates everyday experiences into carefully structured compositions. In acrylic on canvas or paper, he documents the gestures, routines and communal interactions that shape daily life. Daily Rituals III becomes a visual record of continuity, where ordinary actions are elevated through colour, pattern and narrative clarity.

$ 219
Rituals and Festivals
Certified

Tribal Art

Rituals and Festivals

The painting unfolds as a vibrant narrative of communal celebration, where figures gather in rhythmic alignment to mark moments of ritual and festivity. Men and women appear in purposeful gestures—carrying offerings, playing instruments, or participating in ceremonial acts—each rendered with confident contour and filled with fine linear detailing. The arrangement spreads across the surface like a visual procession, allowing multiple moments of activity to coexist within a single balanced composition. Colour is vivid and declarative, with bright reds, yellows, greens and blues applied in flat planes that intensify the festive atmosphere. Patterned garments and repeated decorative motifs create a visual rhythm that moves the eye steadily across the scene. There is little concern for depth or perspective; instead, the narrative unfolds through clear placement and the steady cadence of figures arranged across the open ground. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates lived cultural practices into structured visual narratives. In acrylic on canvas or paper, he documents the continuity of ritual and celebration within community life. Rituals and Festivals stands as a lively testament to this shared experience, where colour, pattern and human gesture come together in a unified expression of cultural memory.

$ 219
Daily Rituals II
Certified

Tribal Art

Daily Rituals II

The scene unfolds in measured continuity, presenting the quiet choreography of everyday life. Figures move through familiar gestures—carrying vessels, tending to tasks, standing in attentive exchange—each rendered with assured contour and compact internal detailing. The composition stretches horizontally like a visual narrative, allowing multiple moments to coexist within a single, unified field. Colour is applied in bold, flat planes—earth reds, bright yellows, deep blues and leafy greens—creating clarity and immediacy. Pattern articulates clothing and environment through repeated linear motifs, lending texture without disturbing the compositional balance. There is little emphasis on depth or perspective; instead, the painting relies on spatial rhythm and clear placement to structure the scene. Open ground provides breathing room, ensuring that each figure retains distinct presence within the collective arrangement. Working within a folk and tribal storytelling tradition, Kishor Gayen transforms ordinary actions into enduring visual statements. In acrylic on canvas or paper, he approaches daily life not as incidental subject matter but as a site of continuity and shared identity. Daily Rituals II stands as a testament to this perspective—an artwork where repetition, colour and measured composition elevate routine gesture into cultural memory.

$ 219