Quiet Pause of the White Rabbit
Mahaveer Swami
Mahaveer Swami, born in Bikaner, Rajasthan, India, in 1959, is a highly accomplished artist. He began his artistic journey with home training before pursuing a Diploma in Painting & Sculpture at the Rajasthan School of Art in Jaipur. Mahaveer Swami's artistic themes frequently encompass asceticism, the everyday experiences of Indian women, and Hindu mythology, all influenced by Mughal and Rajasthani miniature traditions. With a strong interest in botany, he has produced remarkable miniature paintings with botanical themes. He has also collaborated with several prominent botanical societies, including the American, Korean, and Indian Botanical Societies. His art has gained international recognition through exhibitions at prestigious galleries in various Indian cities and abroad. He honed his skills in traditional painting under the tutelage of his mentor, the late Shri Vedpal Sharma "Bannu." Swami's work has been extensively exhibited, with over 60 galleries in India, including major cities like New Delhi, Mumbai and Kolkata, showcasing his art. Internationally, his reach extends to Paris, Brussels, Jerusalem, Washington DC, New York, Tokyo, Bangkok, Hong Kong, Shanghai, Singapore, Spain and Australia. Beyond exhibitions, Mahaveer Swami is dedicated to sharing his expertise. He has conducted workshops and training programs across India and globally, in locations such as Paris, Cairo, Jerusalem, Dubai, Bhutan, Algeria, Taiwan, Belgium, Shanghai, Hong Kong, Pittsburgh and Washington, DC. His artistic prowess has been recognized with numerous accolades, including the prestigious Master Craftsman Award (National Award). His art is held in the collections of over 17 museums and galleries worldwide, including institutions in Jerusalem, Berlin, Pittsburgh, New York, Paris, Belgium and Algeria. Mahaveer Swami's contributions to the art world are also documented in various books, magazines, and online blogs. His artwork is part of the permanent collections at esteemed institutions such as the Hunt Institute for Botanical Documentation at Carnegie Mellon University in Pittsburgh, the Museum Of Sacred Art in Durbuy, Belgium, the Cultural International Festival of Miniature & Illumination in Tlemcen, Algeria and the One Asia Project in Auroville, Pondicherry. His career exemplifies dedication and mastery, creating art that resonates across borders and cultures.
Description
Quiet Pause of the White Rabbit captures a tender moment in nature shaped by softness and balance. Mahaveer Swami paints the rabbit with fine, gentle strokes that bring out the curve of its body, the texture of its fur and the alert tilt of its ears. The rabbit’s quiet posture gives the scene a sense of attentive calm, as if it is pausing mid-step to take in its surroundings. Its dark eye draws focus, anchoring the composition with clarity and subtle expression.
Above the rabbit, a flowering shrub spreads delicate leaves and pink blossoms. Each petal and branch is shaped with controlled pigment work that gives the foliage a natural, airy presence. Scattered berries and a small bowl on the ground add gentle colour accents that connect the rabbit to its environment. A tiny hovering insect completes the scene, adding a touch of movement to the stillness.
The fine silk board enhances the softness of the pigments, giving the entire artwork a refined, luminous character. The composition feels intimate, balanced and quietly alive.
Why This Artwork Stands Out:
- A gentle wildlife study painted with soft, detailed stroke
- Natural pigments on silk board create a delicate, glowing surface
- Blossoms, berries and foliage enrich the scene with refined botanical detail
- Ideal for collectors who appreciate peaceful, nature-led miniature painting
What makes Quiet Pause of the White Rabbit special?
How does Mahaveer Swami achieve the soft texture of the rabbit’s fur?
Is this artwork suitable for modern interiors?
How should this artwork be displayed?
Mahaveer Swami
Bikaner Miniature Artist || Botanical Storyteller || Guardian of Sacred Themes
Unique Practice
He uses "pardaash" (black ink for 3D) and Sone ki syahi (golden effect), characteristic of Bikaner-style painting.