What is Baiga painting?

Baiga painting is a traditional art form created by the Baiga tribe in central India. It features nature-inspired designs like animals, trees, and geometric patterns, often symbolizing spirituality and harmony with nature. The paintings are made using natural materials such as clay or rice paste and are used in rituals and ceremonies.

What materials are used in the creation of your Baiga paintings?

Baiga paintings are made using white clay, rice paste, and natural pigments from plants and earth. Artists use brushes made from twigs or other natural tools.

How should I care for my Baiga painting?

To care for your Baiga painting: 1. Keep it away from direct sunlight to prevent fading. 2. Store in a dry place to avoid moisture damage. 3. Dust gently with a soft cloth or brush. 4. Frame it to protect it from dirt and damage. 5. Avoid touching the painted surface to keep it clean.

Are the paintings framed or unframed?

Baiga paintings are usually unframed but can be framed for display and protection if desired.

Can I commission a custom Baiga painting?

Yes, you can commission a custom Baiga painting. Many artists are open to creating personalized works based on your preferences, such as specific themes or designs, while still following the traditional style.

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Images
Inspire

Lord Ram and Lord Laxman in Jungle

$ 8,199.99

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Product Highlights

Size
15 X 22 in

Brand
Rooftop

Origin
India

Medium
Acrylic

Material
Paper

Frame
No

Art Form
Baiga

Artist
Jodhaiya Bai

Dated
2024

Meet the Artist

Jodhaiya Bai

Jodhaiya Bai Baiga, whose life is an inspiration not only to the women of the country but also to every aspiring artist, was one of India’s most respected tribal artists. Honoured with two prestigious awards, Jodhaiya Bai’s life represents an extraordinary journey from a labourer to a recipient of India’s fourth-highest civilian honour.

Jodhaiya Bai Baiga was born in 1938 and lived in the Lorha village of Madhya Pradesh among the Baiga Tribe. Jodhaiya Bai lived in the forest with her tribal community and survived by selling firewood and cow dung. Creating art was a part of the routine in the tribe. However, unlike her fellow tribemates, she radically transformed her life at the age of 69 when she met Ashish Swami, an alumnus of Kala Bhavana, Santiniketan, setting an enduring example that it is never too late to pursue one’s passion. Ashish Swami, who ran a small studio in the nearby village of Lorha, became her mentor and encouraged her to develop her practice as a folk artist, marking the beginning of her historic artistic journey.

From small paintings on paper, she progressed gradually to large canvases. Jodhaiya Bai’s art distinctly exhibits incredible use of colours and is rooted in the forests that surround her village. Many of her paintings are dedicated to Lord Shiva, and she enjoys painting the rituals and legends of the Baiga tribe. One of the elements that frequently appears in her paintings is Bageswar, the tiger god, who protects them and their lands from wild boars and wolves. But the life-giving Mahua tree is the star of several of her creations. Jodhaiya Bai’s art bridges traditional themes with contemporary concerns such as environmental destruction, industrialisation, and ecological loss, all expressed through the visual language of traditional Baiga motifs.

Her paintings have been exhibited in Bhopal, Delhi, Milan and Paris and are part of the prestigious Crites collection. Jodhaiya Bai Baiga’s works have appeared at several auctions and have consistently achieved remarkable results in the art market. Notably, her painting Untitled realised a price of INR 48,00,000 at Pundole’s in March 2025. In recognition of her achievement, she was awarded with Nari Shakti Puraskar in 2020 and the Padma Shri in Arts 2023. Jodhaiya Bai’s extraordinary achievements stand as a living testament to the belief that it is never too late in life to realise one’s potential.

17Years of Experience

2Awards

4Products

Description

The depiction of Ram and Laxman in a jungle resonates deeply with the Baiga way of life, reflecting their profound connection to the forest. For the Baiga, the forest is a sacred space, the abode of deities and spirits, where they offer prayers and sacrifices. The Baiga rely on the forest for sustenance, gathering fruits, vegetables, medicinal plants, and hunting, much like Ram and Laxman, who depended on the forest’s resources for survival. Additionally, the Baiga view the forest as a place of refuge during times of conflict or hardship, akin to how the forest provided sanctuary to Ram and Laxman during their exile. This shared reverence for the forest highlights the cultural harmony between the Baiga way of life and the narrative of the Ramayana, underscoring India’s collective heritage and its communities’ deep-rooted connection to nature.

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