Kolkata, the “City of Joy,” boasts a rich artistic heritage that stretches back centuries. This article delves into three key aspects of this dynamic scene: the deep roots of traditional art, the birth and lasting impact of the Bengal School of Art, and the transformation of Kolkata’s art into the contemporary scene it is today – a scene fueled by rebellion and a deep connection to its past.
In Indian culture, a few garments possess the unique ability to be evergreen. They stand the time of time, possessing elegance, grace and versatility. Such is the enduring charm of the saree. It has traversed centuries, embodying tradition and femininity in all ages. Although the styles and methods of draping the saree have been modified over the years, the essence of this attire remains the same. Its evolution is truly a tale that reflects the dynamic nature of Indian society, history, artistry and identity.
Culture is the cornerstone of soft power and cultural diplomacy. The distinct cultural heritage of one’s country helps them to showcase their values and achievements and enhance their global image. In today’s interconnected world, cultural diplomacy has gained importance in building bridges between neighbouring countries by fostering dialogue and understanding. It also facilitates the upliftment of communities and creates a bond with citizens.
Heraclitus, a Greek Philosopher, around 2500 years ago once said, “There is nothing permanent except change.” Thus, believing that change is evitable is merely delusional.
Mumbai, the bustling metropolis on India’s west coast, is famously known as the financial capital of the country; but it is so much more than that. It’s a vibrant centre for artistic expression. This cosmopolitan city boasts a rich artistic heritage, having evolved from a colonial outpost to a leading art hub in India. This transformation that spans centuries is a rollercoaster of a story – of colonial influence, artistic rebellion, and a thriving contemporary scene.
Terms like the economy, economic growth, and digital economy ring a bell, but when it comes to the word “creative economy” we all have different interpretations of it. How can something intangible like creativity, creative thinking or expression through cultural mediums, be a source to propagate a country’s economy? Well, the answer is, yes it can.
Collaboration among countries in the global south can help in the expansion of your market and enable greater access. It forms clusters or trade blocks that collectively will negotiate with international partners for products and services. This will provide a foundation for cultural affinities and heritage too. Diverse countries can come together and showcase their artistic and cultural prowess to a global audience.
Have you thought about how amazing it would be if anybody, anywhere in the world, could learn Indian art forms just as easily as learning a new subject or a coding language? For example, typing ‘how to learn Pichwai art’ would give you a clear A-Z plan of how exactly you would master this difficult art form.
An icon, an image, a deity, a woman. Today we explore the existence of a woman whose purpose and being are shrouded in mystery. Lajja Gauri, the woman without shame, is also a woman who has been the subject of close scrutiny from scholars, art historians, anthropologists, and those interested in the customs of past generations.
Tamil Nadu is renowned for having special benefits over multiple art forms. Having several dominions benefited in moulding and altering the city’s pre-existing culture. The Thanjavur Art Plate is an immaculate example of such.
