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Etymology: Mural is a derivation of the Latin word ‘murus’, which means “wall.” Paintings can be seen in any large surfaces similar to walls, like ceilings, caves, etc.
Origin: The origin of mural paintings can be traced back to the 2nd century BC caves of Ajanta, Bagh, and Sithanavasal. Some of the oldest mural works in Kerala date back to the 8th century and were completed between the 15th and 19th centuries.
Location: Kerala, also known as “God’s own country,” is located on the Indian subcontinent towards the southwestern coast. Murals from Kerala were first discovered in a shrine at Thirunandikkara in the 8th century, which is now located in Kanyakumari district in the state of Tamilnadu.
Relevance: Indian mural painting dates back to ancient and early medieval times, from the 2nd century BC to the 8th – 10th century AD. The first mural paintings were in the form of rock engravings, which are still visible in the caves of Edkkal and Wayand today. In later years, the rock painting was transformed into rock art which can be viewed in Anjanad Valley, Idukki district. Many people are unaware that Kerala Mural Art is a school of its own, but. There are over 150 temples in Kerala with ancient mural paintings.
Significance: This art form was influenced stylistically and geographically by the Dravidian ritualistic art form Kalamezhuthu, that preceded it. According to archaeologists, the paintings date mostly from the Upper Palaeolithic and Early Historic ages, while the engravings date from the Mesolithic.
Culture and societies: Earlier, the social hierarchy was so strong that stone structures were reserved for Gods and their representatives (Brahmins), wooden houses for Kshatriyas, clay houses for Vaishyas, and huts for Soodras or the downtrodden.
Religious significance: The promotion of reality and illusion in religious and literary texts at religious places such as temples, subsequently in Kerala churches, automatically allowed some space for visual art, not only for adornment but also for conveying moral principles through visual forms.
Style: The main deity is drawn as the central motif is some of the most vibrant colours, and is ornamented, the facial features are simple yet powerful. The rest of the textile shows human and animal figures, these characters represent the devotees of ‘Maata’.
Central motifs: The central figure of these works contains a portrayal of one of the Hindu mother Goddesses situated in a temple or similar enclosure. Other figures include mythological characters, human figures, musicians, sacrificial animals and flora and fauna.
Paintings in Kerala are often executed on plywood, cloth, paper, and canvas these days to meet the demands of clients and to display at distant exhibitions.